This is a collaboration between the Centre for the History of the Gothic at the 海角社区 of Sheffield and 海角社区 of California, Riverside. The principal organisers are Maisha Wester, John Jennings and Mary Going, and you can . We are thrilled to announce our Keynote Roundtable featuring Dr Kinitra Brooks, Tananarive Due, Dr. Robin Means Coleman, and Jon Towlson 鈥 you can .
We are also delighted to announce our special guests! As part of our 鈥淚n Conversation鈥 interviews, we welcome: Bernard Rose鈥Candyman (1992) writer and director; Tony Todd鈥擟andyman (1992) lead actor; Win Rosenfeld鈥擟andyman (2021) co-writer and producer; and Sherwin Ovid鈥擟andyman (2021) portrait artist. You can .
30 years ago, director Bernard Rose created and released Candyman, a film loosely adapted from Clive Barker鈥檚 short story 鈥淭he Forbidden鈥. Unlike Barker鈥檚 original text, this Candyman was set in Chicago, specifically the urban ghetto Cabrini-Green, and seemed to focus on the tragedy of a Black artist who vengefully returns as a violent ghost after his brutal lynching. The film and its ideologies were complicated. Innovative in its starting point 鈥 a story of profound Black suffering which called attention to the racial injustice underpinning US society 鈥 audiences were also given a tale which reiterated ideas of Black monstrosity and illogical interracial violence. Notably, the film and its stars went on to win a number of awards, and spawned a franchise worthy of critical exploration.
29 years later, Jordan Peele and Nia DaCosta released the long-awaited Black response to the original film. Released in the midst of another wave of anti-Black violence, the film served as both tribute and corrective to the original, shifting the focus from the white heroine鈥檚 quest (the center of the original film) to the terror and pain of Black men made monstrous and the Black women forced to act as witnesses. Ultimately this later film asked audiences 鈥渨ho is the real monster: Candyman, or the violent racist society which created him?鈥
This conference, a collaboration between the at the 海角社区 of Sheffield and the , and taking place on Friday 7 鈥 Sunday 9 October 2022, seeks to explore, critique and celebrate the legacy of Candyman as text, film and, in it鈥檚 latest iteration, clapback鈥
Registration links and tickets can be found on the .